I used to try and perform without a lyric sheet and just memorize it the night before, but I always ended up messing up. It's really sad when you can't memorize your own songs, but I've written so many songs and so many versions. Otherwise I'll end up singing the lyrics I didn't use. That's why I read from a lyric sheet at my shows. I also need to remember which lyrics I ended up with. I will never be able to hear it the way other people hear it. I try to listen to it the way that the audience will listen to it, which is of course, impossible. When I'm done with a record and it's just come out, I'll listen to it a couple dozen times for fun. Also it makes it more exciting for the people who come to see us on more than one night.
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There are few songs in common between the two, so we don't get bored. We usually practice 45 or 50 songs before a tour that we're able to play and figure out two sets that alternate. If we tried to keep those all rehearsed, we'd be lunatics. That's not including the 100 songs I've written for theater. When you perform live, how do you balance old and new material - is it simply based on how you feel that particular day, or is it an active compromise between what you know the audience wants to hear and the new material? The Magnetic Fields - The Luckiest Guy On The Lower East Side However if I use people's street addresses in the songs I usually take those out. The autobiographical nature of my lyrics are no more important than those that are non autobiographical. However, if I have some music playing in the background, it helps. I try to choose bars without televisions because I'm not immune to them and I'll just end up watching them. (laughs) Then I just eavesdrop on people's conversations.
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I sit around in gay bars with a notebook in one hand, a cocktail in the other, and a pen in the third hand. If I did, I would have stopped writing them. Have you ever written an album without using old songs?Īs your career goes on, do you find it increasingly difficult to pen new love songs? What inspired "You Must Be Out of Your Mind"? I never write about a gendered protagonist or antagonist. When you're writing a love song, do you know it's going to be about a male or a female before or after you write it?