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He slowly gets off them and the transfer is proceeding before our eyes. Like Mabuse is the man behind the curtain, Saphi is the man behind his machines. Those numerous synths and home-made machines make of those installations a curiosity that contributes to the show. The texts are tempered chronicles, frames of mind and inner ways which are delivered uncompromisingly. The arpeggios, notes and rhythmic combinations grant strange ways for the compositions. Various emotions travel down the surprised audience. As the music begins the veil lifts progressively, the sonic elements come to form, discretely drawing an atmosphere before the wholeness suddenly appears and reveals a skilful music display. An impression of underlying hesitation and uncertainty gradually arises.
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On stage, they form a disconcerting pair, secured in their vocation for Artshock.Ī concert by Nocturne is at once made of mystery, schemes, and secret. The acoustic dimension (violin-trumpet) brings another kind of profundity to Nocturne. As a musician with a classical background, she is invited to play, and then to join the project Nocturne. The end of 2005 marks another a great encounter, with Cécile. The reflection goes on and the new way heralds then some works which are to be more peculiar and intimate. A musical illustration of this film is set out with a project untitled "Terrorize- Manipulate- Convince", released as an album in 2006 by the label Old Europa Cafe.
Nocturn industries movie#
Those questions and preoccupations have also been raised by the association on Artschock of which Nocturne represents the sonic image.Ģ003 Has been a decisive year for Nocturne with the construction of Doctor Mabuse, a short story that was written in the twenties by Norbert Jacques and adapted as a movie by Fritz Lang.
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Nocturn industries free#
Its first concerns for the music creation and conceptualization have been: Collective memory, guilt, as well as the notion of choice and free will. Since 1995 Saphi has been behind the project Nocturne. Nous détruirons même nos ruines avant qu’elles ne nous détruisent! Du bruit parmi nous dans l’incohérence qui nous rend fou. Les textes sont des chroniques d’humeur, des états d’âme et des voix intérieures enfin délivrées. Il est rejoint depuis par Cécile F., Ils sont désormais deux à œuvrer entre noise rythmique et électronique sombre, instruments acoustiques et machinerie, chant et chuchotements. C’est dans l’intimité du raisonnement où naissent les premiers conflits avant leurs extensions possibles que Nocturne oscille. Mais notre logique biologique se distingue de la logique sociale, et notre opposition intérieure va parfois à l’encontre de ce que nous sommes réellement ou souhaiterions être. Face à une situation donnée nous devons trouver une attitude qui puisse nous permettre de tenir. Ses préoccupations premières furent la notion de choix et de libre arbitre. Saphi est à l’origine de Nocturne et débute ses premières expériences analogiques et industrieuses en 1994. …We will even destroy our ruins before they destroy us! Noise among us in the incoherence that drives us crazy. The lyrics are chronicles of mood, inner voices finally delivered. He is now joined by Cécile F., they are now two working between rhythmic noise and dark electronics, acoustic instruments and machinery, singing and whispers. It’s in the intimacy of reasoning which arise the first conflicts before their possible extensions, that oscillates Nocturne. Our biological logic is distinguished from the social logic, and our internal opposition goes against what we sometimes really are or would like to be. In facing a situation we only find an attitude to adopt in order to react to an emergency and to keep us going. The first concerns were that of global memory and guilt, the notion of choice and free will. Saphi he is at the origin of Nocturne and he began its first analog and industrial experiences in 1994.